Then I get the chance to lip synch to the whole song in one long take,
but the camera stays so close that I still don't have any legs.

I sing along to the playback song all the way through and get a round of applause from the crew when I get to the end. Thank God that's over. It's took us most of the morning.

At the end of the recorded track, which ends abruptly, I ad libbed, 'But I'm still whispering!' Director Hajaig wants me to lip-synch that bit, too. So we do that bit again. And again.

'Don't look at the camera!'

I'm laughing when I say it, 'But I'm still whispering!' And I do look at the camera. I can't help it. I think of what Dean Martin reputedly said when he was making The Young Lions with Marlon Brando. 'I never said I was a ****ing actor!'

Sylvia sneaks a photograph of me from where she's sitting,
reproduced above, and that's the way I think I should have looked.

Heroic. Alone. In the Limelight. And with Legs. A Star! Just like Neil Diamond. Poor. Vain. Me.

Hadi beckons me over to look at the footage in the monitor.

Mount Rushmore sings! I really should have lost some weight.

And made my movie debut 35 years earlier....


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Blue Iguana: That's the Way it Was

‘Don’t Look at the Camera!’